As part of a tour organized by Great Escapes Virtual Book Tours, I am pleased to have Connie Berry as a guest on my blog today, as she celebrates the release of A Legacy of Murder, the second book in the Kate Hamilton Mystery series.
TOO MUCH OF A GOOD THING? by Connie Berry
The picture above is an unedited, unexpurgated photograph of the inside of my bathroom cabinet, jam-packed with items I need to start my day—toothbrush and toothpaste, make-up remover, hairspray, creams, serums, brushes, foundation, eye-liner, and lipstick. Lots of lipstick. Fifty-four tubes, to be precise. All of them red.
Is it possible to have too much of a good thing? I’m a self-confessed over-purchaser of red lipstick, perpetually in search of that one perfect shade—not too light, not too dark, not too orangey nor too pinky. I probably own every shade of red lipstick ever created. I remember learning in my sophomore year of high school the principle of “diminishing returns:” the more you have a something, the less you want of it. Ice cream was the example back then, and I understood how the principle worked. So why doesn’t it work with red lipstick?
As a writer, it’s possible to have too much of a good thing as well. Writers depend upon words, but we can overuse them. Words we love. Words that weasel their way into our writing and lessen the impact. My own particular weasel words include: just, little, almost, nearly, too, about, a bit, seems, actually, like, and that. They scatter themselves so freely into my writing that I have to search for them later and weed them out. I read once that weasel words are used to make a statement seem more convincing or authoritative than it might actually be. [I used three weasel words in the previous sentence—see how insidious they are?] In reality, they accomplish the opposite.
In 2004 Don Watson published Watson’s Dictionary of Weasel Words, Contemporary Clichés, Cant & Management Jargon (don’t get me started on management jargon). A wonderful tool for writers, but if you’re thinking about purchasing a copy, be warned that Amazon is now selling the hardcover for $124. Used copies go for $50 and up. I’d check your local library.
But it’s not just certain words we overuse. Sometimes writers use too many words, period. We overwrite. One of the most useful things I learned as an aspiring author was to make an outtakes file. For me, revision includes paring down, tightening up—eliminating everything, as Hank Phillippi Ryan says, that “isn’t the book.” That can be hard. Consigning superfluous words, sentences, even whole paragraphs to an outtakes file feels better than deleting them. And, who knows, I might just use those words again.
Do you buy too much of something? Shoes? Jeans? Books?
What about weasel words? Can you name yours?
About a Legacy of Murder
American antique dealer Kate Hamilton’s Christmastime jaunt to a charming English village leads to an investigation of a missing ruby…and a chain of murders.
It’s Christmastime and antiques dealer Kate Hamilton is off to visit her daughter, Christine, in the quaint English village of Long Barston. Christine and her boyfriend, Tristan, work at stately-but-crumbling Finchley Hall. Touring the Elizabethan house and grounds, Kate is intrigued by the docent’s tales of the Finchley Hoard, and the strange deaths surrounding the renowned treasure trove. But next to a small lake, Kate spies the body of a young woman, killed by a garden spade.
Nearly blind Lady Barbara, who lives at Finchley with her loyal butler, Mugg, persuades Kate to take over the murdered woman’s work. Kate finds that a Burmese ruby has vanished from the legendary Blood-Red Ring, replaced by a lesser garnet. Were the theft and the woman’s death connected?
Kate learns that Lady Barbara’s son fled to Venezuela years before, suspected of murdering another young woman. The murder weapon belonged to an old gardener, who becomes the leading suspect. But is Lady Barbara’s son back to kill again? When another body is found, the clues point toward Christine. It’s up to Kate to clear her daughter’s name in Connie Berry’s second Kate Hamilton mystery, a treasure for fans of traditional British mysteries.
Enter the rafflecopter for your chance to win a $25 Amazon Gift Card from the author.
About the Author
Like her protagonist, Connie Berry was raised in the antiques trade. After teaching theology for twenty-five years, she took up writing mysteries featuring high-end antiques and the legacy of the past. Connie loves history, cute animals, travel with a hint of adventure, and all things British. She lives in Ohio with her husband and adorable dog, Millie.
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